Halo is an award-winning full-service post-production facility in the heart of London’s Soho district. We are still independently owned and have always undertaken a very diverse portfolio of work, ranging from feature films, feature documentaries, high-end drama and specialist-factual. Halo’s USP lies in the size of our operation and the quality of service we provide. Large enough to manage the big, complex projects but small enough to still feel friendly and personal. The company offers a variety of services targeted at independent filmmakers. These include Baselight film & HDR grading, 4K Flame online, online VFX, and offline cutting rooms. On the audio side we offer sound design, foley, ADR and mixing (including theatrical and home Dolby Atmos)..
Some of our recent film credits include Polite Society (full post-production, Focus Features/NBCU, directed by Nida Manzoor), Flux Gourmet (full post-production, IFC, directed by Peter Strickland), Rogue Agent (full post-production, Netflix, directed by Declan Lawn & Adam Patterson), A Christmas Number One (full post-production, Sky Cinema, directed by Chris Cottam), Boxing Day (full post-production, Warner Brothers, directed by Aml Ameen), The Wonder (sound mix, Element Pictures), The Swimmers (sound mix, Netflix, directed by Sally El Hosaini), and Asteroid City (sound mix, directed by Wes Anderson), Kensuke’s Kingdon (full post-production, Lupus Films), Man & Witch (DI only, Paper Canoe), The Problem With People (DI post, Salon Pictures) as well as a large number of TV drama series and feature docs.